While shooting in colour in the studio lighting environment was a treat, shooting in the ACROS film simulation with the 40-megapixel sensor was out of this world, usually Ill shoot with the GFX100 in these situations but shooting with the XH-2 with ACROS gave the images a smooth monochrome look which I tend to call that Kuro look.
Beautiful clean noise in the shadows even in high ISO settings gave a film like grain that blends well with the highlights and contrast that does enough with the sensor size and sharpness from the lens, the 90mm and 56mm both work a treat with the XH-2 in that studio setting giving enough sharpness at f4 down to f2 giving you that control back on the background exposure if needed.
The hardest part that I had to decide on was to shoot RAW or JPEG to save space as the shots coming out as JPEG are perfect and no need to edit.
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